Chicago · Los Angeles · New York · Worldwide

Rob
Adler

Director · Filmmaker · Actor · Educator · Writer · Scholar

I direct theatre and films, act, teach, write, and coach. I work with actors to make the work highly prepared, technically precise, and alive in the moment.

Rob Adler coaching an actor in rehearsal

What I do—and
how I do it.

I move between rehearsal rooms, sets, classrooms, and the stage. Each role sharpens the others.

Great acting has to be highly prepared—
and still look improvised.

The profession can ask an actor to do all the work of a drama-school or regional-theatre rehearsal process before a 48-hour self-tape. Then, on the day of the shoot, you may have to hit three marks in one sentence. The entire world may be a green-screen soundstage that has not been built yet. Your scene partner may be a famous actor—or a piece of tape.

I created AdlerImprov to meet that reality. The games and exercises are gasoline for the creative fire. They help actors accelerate their preparation, meet extraordinary technical demands, and deliver opening-night aliveness—with precision, on the spot.

Explore AdlerImprov
Prepare it.
Make it precise.
Keep it alive.

In rehearsal · On set · In class · Onstage

I am a director, filmmaker, actor, educator, writer, and the founder of AdlerImprov. I have spent my career moving between rehearsal rooms, film sets, classrooms, and the stage.

I do not see those as separate careers. Acting shapes how I direct. Directing shapes how I teach. Teaching forces me to explain what actually works.

Viola Spolin’s theatre games showed me how play can become a rigorous part of the actor’s craft: giving attention something concrete to do, freeing the body, and making real listening possible. I have carried that work into acting, directing, filmmaking, teaching, and coaching.

I have taught at the University of Southern California and The Theatre School at DePaul University, developing acting-for-camera, filmmaking-for-actors, improvisation, and performance curricula. My scholarly work has appeared through Johns Hopkins University Press.

DePaul UniversityAssistant Professor of Acting · 2017–present
USCSchool of Cinematic Arts & School of Dramatic Arts · 2014–2017
TeachingExcellence in Teaching Award · 2021
ResearchWicklander Fellowship for Professional Ethics · 2024–25

The work continues
on the page.

My writing begins with problems I meet in rehearsal and the classroom. I follow the question, make an argument, and bring what I learn back into the room.

Forthcoming chapter
“Playing Therapist: Theatre Games in Occupational Therapy” Adler, R., Barrett, K., Bathje, M., & Calhoun, A. In Using Applied Drama in Nursing and Healthcare Education: A Handbook for Educators.
Theatre Topics · 2025
Beyond the Script: Harnessing the Power of Play in Clybourne Park Read the article →
Theatre Journal · 2025
The Alchemy of Space: Viola Spolin and the Conjuring of the Invisible Watch the video essay →

Selected Institutional Workshops & Presentations

DePaul Master of Occupational Therapy · 2023–present

Quarterly applied-improvisation masterclasses; six three-hour workshops for approximately 180 graduate occupational therapy students.

USC Keck School of Medicine · 2016–2017

Communication and improvisation training.

USC Price School of Public Policy · 2016–2022

Communication and improvisation training.

DePaul Teaching Commons · 2019–2020

Communication and improvisation training.

California Contract Cities Association Conference · Palm Springs · 2018